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supported by 39 fans who also own “Anonymous Footsteps”
Adam Neely and Shawn Crowder reignited my love of jazz as an innovative exploration of music and rhythm. Because of Sungazer I'm saving up to buy a bass and start playing again.
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
Electric Intervals
by Martyn Heyne
A work of beautiful, pointillist guitar from Martyn Heyne, the moving songs on “Electric Intervals” are made of tiny pinpricks of sound.
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Minimalist modern classical that captures the slowly unfolding beauty of post-rock groups like Rachel’s.
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On her debut LP, the cellist captures both the turbulence and the euphoria of transformational times.
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supported by 34 fans who also own “Anonymous Footsteps”
"Ethereal, 3-dimensional, abstract chess in parks accompanied by the float of saxophone and drums. Wierd grooves that rock you deep into the sun." Sungazer's first full release is as impressive as it is sudden. It breaks out with blistering speeds of bass improvisation from Neely, and the drums also accompanying show the raw power the duo hold within seconds. The following tracks roll in a mood of self-expression and presents the mind of jazz in a new light, of which many contemporaries cannot.
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